Blake List — Volume 1995 : Issue 8

Today's Topics:
	 Re: Blake Archive
	 I'm back
	 Milton Opera
	 Electronic access

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Date: Mon, 14 Aug 1995 15:51:01 -0500 (EST)
From: meav@db1.cc.rochester.edu (Morris Eaves)
To: in@"blake@albion.com"
Subject: Re: Blake Archive
Message-Id: <01HU2HJ7DCDU9VV58G@DBV>

It's a bit early to answer your questions, Dana Harden--since we're just
getting started (and the project has a 3-year trajectory).  Copyright
issues, etc., will be worked out along the way.  The quality of scans is a
major concern--and high-quality reproduction is one of the primary aims of
the project.

We'll post progress reports now and then.  And, of course, anyone equipped
with a Web browser might want to look in on us now and then to see what's
happening.  Thanks for your interest.  Morris Eaves (for Bob Essick and Joe
Viscomi)

>Many praises to those working on the Blake Archive. I could not believe my
>eyes when I saw your posting! This is a historical event. Blake's art is
>finally being liberated!
>
>When will images/ CD ROMs be available to down load/purchase? How long will
>it take to down load and what is the best type of modem? Will the image
>quality be good enough to enlarge through projection (25 feet high)? We would
>love to be able to use these scans for the Virtual Sets for the Milton opera.
>What about copyright issues?
>
>Eagerly awaiting!,
>Dana Harden
>
>

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Date: Wed, 16 Aug 1995 11:39:39 -0500
From: jmichael@seraph1.sewanee.edu (J. Michael)
To: blake@albion.com
Subject: I'm back
Message-Id: <9508161644.AA26503@uu6.psi.com>
Content-Type: text/plain; charset="us-ascii"

Hello, Blakeans!  I've been away from the list for several weeks while
moving to a new job and a new address (geographic as well as virtual). 
I've missed the discussion and look forward to resuming the imaginative
warfare.

Incidentally, if anyone happens to be in London they should see the Royal
Academy's Summer Exhibition (I think it's still going on).  The first thing
you see as you walk in is a huge sculpture of Newton, based on Blake's
well-known design.  (I can't remember the name of the sculptor, but I have
the program at home.)  I found it especially ironic given Blake's vexed
relationship with the Academy during his lifetime.

Jennifer Michael

 

Jennifer Davis Michael
University of the South
jmichael@seraph1.sewanee.edu

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Date: Thu, 17 Aug 1995 23:03:28 -0400
From: WomansWay@aol.com
To: blake@albion.com
Subject: Milton Opera
Message-Id: <950817230327_77434094@mail02.mail.aol.com>

Does anyone know how I can contact Paul Mellon? I am looking for possible
sources of funding for the Milton Opera. If anyone has ideas about who I can
send our wonderful info packet to, I would appreciate it. We are doing an
initial performance on Nov 25 & 26 in Boulder this year, two days before
Blake's birthday. 
Thanks,
Dana Harden

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Date: Fri, 25 Aug 1995 20:51:32 +0100
From: freedman@dircon.co.uk (Freedman & Israel)
To: blake@albion.com
Subject: Electronic access
Message-Id: 

Anyone know if there is electronic (i.e. Internet) access to articles from
"Blake: An Illustrated Quarterly" (Rochester, NY)?

Thanks
        Noah


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End of blake-d Digest V1995 Issue #8
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